Double Camera Rig Innovations: Simultaneous Regular and Slow-Motion Filming
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In a quest to capture the perfect shot, DSLRguide embarks on a daring mission to create a double camera rig that can film both regular and slow-motion footage simultaneously. Facing setbacks and frustrations, the team turns to unconventional solutions, utilizing a teleprompter and an iPhone 15 Pro to achieve their vision. With the addition of an ND filter and a Samsung T9 SSD, the rig begins to take shape, promising enhanced quality and efficiency in their shooting endeavors.
After numerous trials and errors, the team finally achieves success, shooting a documentary with synchronized regular and slow-motion shots. Despite challenges in aligning the cameras perfectly, their determination pays off, showcasing the power of innovation and perseverance in the world of filmmaking. The creative possibilities of having dual shots at their disposal open up a world of editing opportunities, allowing for unique and dynamic storytelling techniques.
Praising the swift file transfer speeds of the Samsung T9 SSD, the team expresses gratitude for the sponsorship that has helped streamline their workflow. As they continue to push the boundaries of traditional filmmaking, the DSLRguide crew sets their sights on future projects, eager to explore new horizons and push the limits of what is possible in the world of cinematography. With a blend of ingenuity, technology, and sheer determination, they prove that with the right tools and mindset, anything is achievable in the pursuit of cinematic excellence.
Image copyright Youtube
Image copyright Youtube
Image copyright Youtube
Image copyright Youtube
Watch I Built a DOUBLE Camera Rig (#AD) on Youtube
Viewer Reactions for I Built a DOUBLE Camera Rig (#AD)
iPhone footage holding up well next to Blackmagic
Potential for run and gun docu or wedding shooters
Idea of using two cameras for different depth of field in VFX
Use of similar rigs in 3D filming with IMAX cameras
Practicality of shooting in higher resolution and cropping in post
Suggestions for reducing reflections with cinefoil
Experimentation with different frame rates for versatile editing options
Use of 50% 45° mirror for shooting 3D in big productions
Consideration of using infrared and regular cameras for stylized video
Discussion on frame rates and slow-motion trends
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