Blade Runner Shot: $1,500 vs $30,000 Lens Comparison
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In this thrilling DSLRguide adventure, Simon and the team embark on a quest to replicate an iconic Blade Runner shot using lenses of vastly different price points. Starting with a $1,500 lens, they meticulously tweak lighting and set elements to mirror the original scene. The tension builds as they switch to a jaw-dropping $30,000 lens, aiming to uncover if the hefty price tag truly translates to superior quality. Simon candidly shares his rollercoaster rental experience with the luxurious lenses, shedding light on the exorbitant costs and logistical hurdles involved in wielding such premium gear.
Amidst the lens comparison, subtle nuances in bokeh and image softness emerge, sparking a debate on whether the expensive lens's enhancements justify its astronomical price. A blind Twitter test surprisingly crowns the more affordable lens as the crowd favorite, showcasing the intriguing concept of diminishing returns in the realm of lens pricing. Simon, with his trademark wit and insight, concludes that for his smaller-scale projects, the incremental benefits of splurging on high-end lenses may not outweigh the financial burden. In a bold move, he opts to stick with his trusty, budget-friendly lenses that align better with his creative vision and practical needs.
Image copyright Youtube
Image copyright Youtube
Image copyright Youtube
Image copyright Youtube
Watch $1,500 vs $30,000 Anamorphic Lens on Youtube
Viewer Reactions for $1,500 vs $30,000 Anamorphic Lens
Lighting is emphasized as making a significant difference in video quality compared to lenses and equipment
Appreciation for the use of music from Track Club in the video
Comparison between expensive anamorphic lenses like Cooke and more affordable options like Sirui
Positive feedback on the scene recreation in the video
Discussion on the differences in image quality, color, and texture between Cooke and Sirui lenses
Mention of the importance of lighting, color correction, sound, and storytelling in filmmaking
Interest in the affordability and accessibility of anamorphic lenses for filmmakers
Suggestions for using adapters to enhance the squeeze factor of lenses
Request for testing different anamorphic lenses like Laowa proteus 2x and Cookes
Concern for safety when transporting expensive gear
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